Go bigger in printing vernacular
still refers to the
luxury of larger job volume
and, as we know, the lithographic
process does not
have limitations on run lengths or increased
costs. There are no differing click
charges or maintenance fees for a litho
job of 2,000 sheets or one that is 200,000
sheets. Bigger just means better economics
for both the printer and client.
Go better in today’s market can often
refer to leveraging collateral print as a
loss-leader to attract more valuable work,
such as controlling a client’s full marketing
campaign and providing them with
direct links to their customers. This
loss-leader approach often manifests itself
in providing gang-run work like
business cards or postcards. Better, of
course, can also mean providing unique
capabilities in print manufacturing like
special effects with inks and coatings, or
perhaps the now commonplace use of
both digital and offset.
Go home – Well, we know what that
means. A growing portion of our industry
considers this possibility regularly. It can
mean an attempt to merge, but in many
instances it signals that it’s time to look at
new opportunities outside of the printing
industry.
We are not alone in considering this
approach. Print is often viewed as the
ultimate victim of digital communications,
but the Internet and mobile computing
have ravaged the manufacturing
base of many industries.
Communications revolution
It was less than 20 years ago that the
mighty music industry made nothing but
money. The ridiculous contracts, which
even the biggest names in music had to
sign, guaranteed riches beyond belief for
the silent powers of Music Inc. If a percentage
of say five percent royalty is
agreed to, musicians were in line to lose
half of that to deductions by the industry.
Creation of album covers, production
printing of albums, breakage (a certain
percentage was deducted to cover theft
and breakage of shipments) were just
some of the fees an artist would see coming
off their royalty payments.
No wonder artists hated their record
companies. How else could musicians
have their music delivered, but through
what was a quasi-monopoly? Then along
came the Internet and revolutionary
Websites like Napster. The end was near
for the manufacturing monopolies of
music, as artists found new routes to keep
more of their money and music lovers
could hold entire collections on a tiny
smartphone.
Consider the genius of Steve Jobs and
how he changed the fortunes of so many
industries. His foresight to know that the
cell phone would become so much more
and offer the world instant access to almost
everything. The new iPhone 6 looks
like an incredible communications tool.
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Before the iPhone wave, mobile text
was almost an exclusive domain of Research
In Motion, once a small Waterloo
company that had the world in its pocket
with the Blackberry device. In fact, the
Blackberry created the email/phone concept.
Technology was changing fast,
however, and again Steve Jobs understood
the future of mobile computing was
not solely about hardware, but also the
rich imaging tools that a computer phone
could provide. Blackberry lives on today
trying to hold on to its secure network
abilities, which in of itself is a monumental
feat with so many options today.
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Photo:
Steve Jobs introduced the iPhone 4 at the 2010 Worldwide Developers Conference |
Challenges remain
Our piece of the communications industry,
manufacturing and distributing print,
has such a long legacy. Being centuries
older than any other communications
medium, however, does not mean a thing
to Millennials or the worker generations
to come, so we too are changing. The
offset press appears as if it will continue
on its downward trajectory as more inkjet
and other digital processes come to market.
Ten years from now there will be very
few offset machines sold. Even today
many printers look upon offset investment
as a necessary evil and find ways to
hold onto their current machines longer.
The reason is simple. Technology has not
changed a great deal from 2004 to the
present day and shelling out $2 million
plus for a new offset press when digital
systems cost half as much and better fit
current commercial shifts.
The printing industry is in the middle
of an era-defining communications transformation.
Yes, we are aware of the increased
closures and amalgamations. We
see what is happening to the printed
newspaper industry. But papers are still
being printed, direct mail still arrives
daily, magazines and promotional materials
are in circulation and life seems relatively
normal. Every day, however, more
and more of what we print vanishes. It’s a
jerky pattern but the decline is inevitable.
Larger printers and trade shops grab
more of the work because they can usually
produce it cheaper than smaller traditional
shops. Variable and versioned
printing with digital technologies is
growing exponentially and set to take
more of the pie.
Before Benjamin Franklin was in short
pants, however, printers have howled
against unfair competitor pricing, rising
pulp prices and governmental legislation
against everything from alcohol to
by-products of the print process. There
have also always been industry pioneers
who see the future of print and drive it
forward. They certainly do not attract the
cult following of tech-giant CEOs, but
paying attention to those in our industry
who are prospering has never been more
important. A few have taken steps to
re-define our industry for the better, even
by employing offset because they research
market trends. Not since Gutenberg has
our industry faced such challenges – Go
big, go better or go home.
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